I have been loving using film; the way the film reads light, the way it reads sky, the actual psychical feeling of the print in my hand, the texture of film. I love the anticipation of getting my scans back, I love getting the actual print itself. I even love putting the prints in my albums!
My D750 was involved in a recall (despite not having any issues with it) which meant I had to ship it off to Nikon and that I wasn’t going to be able to take it on vacation with me (aw, shucks). I took my cell phone of course, but also took my Vivitar v3000s- the same one that was given to me by an incredibly generous friend. I have the scans back from that trip and wow; I am so happy with them. *My Nikon ended up being sent back cleaned up and fixed up within seven days, which was also pretty amazing so props to Nikon’s service center in NY.*
My husband gave me a bit of a start when he said, “What will you do, if something goes wrong and the film doesn’t develop?” because, yea that would have been pretty crappy. And it did happen one time- that a roll of film didn’t come out (but like, one time out of 25).
I trusted myself. I trusted what *I* know. I trusted my camera and my film. And I have 240 images to show for our first family vacation 😀 I’d love to share them all, but I know going through other people’s vacation photos is about as thrilling as going to the dentist. I hope you enjoy just these few peeks into NYC on film ❤
Once again, I need to sing the praises of my favorite film developers, Old School Photo Lab, in Dover NH. I sort of, kind of, went nuts with my film. I think in June-July I developed something like 10 or 12 rolls. I was getting the actual 4×6 prints back as well as high res scans and that was adding up- for good reason of course and I’m happy to pay for services used. But I was running out of film budget quickly, haha! I believe these were all developed on Fuji 200 and 400 speed film, which I’ve been getting on Amazon.
I shot film while we visited the zoo in Akron….
We’d never been, and I was really surprised with how botanical it was! The gardens were so pretty. I wish I had brought three full rolls- I only brought one and a half Live and learn; bring more film than you think you need. All of the following images are SOOC (straight out of camera). The only edit work done was to place them into the collage spaces.
I shot film at my hometown’s Cherry Festival (North East, PA represent!) I shot some of the attractions and the things that just scream Cherry Fest , North East for me…
I only wish I had time to get down to Freeport Beach. Oh well. I am planning on only taking my cell phone and my Vivitar v3000s camera on our family trip to NYC this month! I bought 40 rolls of film, and honestly I hope it’s enough. That’s going to be a hell of a develop fee though :S
I took my Yashica to the Luvin Lavender festival in Madison OH. One of my daughters and I went and had a nice morning together.
And my other daughter and I took both the Yashica and the Vivitar on a walk through our neighborhood. We were having some painting done on our house, too 😉
I am obsessed. I can’t believe how much more I’m enjoying photography working with film as my medium. A friend encouraged me to invest in a Nikon F6 film camera… but with a $2500 price tag, I think it’ll have to wait. Forever. I am sort of eyeing up this Nikon F10 though. How many cameras is too many again?
A few weeks back, I was one of the lucky few who find vintage cameras in thrift shops. I happened upon a Yashica 35ME at Givits Thrift and Recycle. Read about that HERE. I used up one roll of film, with all my fingers crossed that something, anything at all would come out. The camera itself could have had any number of issues; it’s about forty years old and had been lord only knows where its entire life. If it had issues, that would have been fine, buuuuuuut I really wanted it to work.
I sent my roll of film (Kodak Gold 400) off to OldSchoolPhotoLab, paid my fee (more on that later) and thought, “here goes nothing,”. Let me say straight off, OldSchoolPhotoLab is fast like lightening. I mailed my film on Friday- to Dover, NH from Cleveland, OH. I selected high res scans and 4×6 prints. I got my gallery with scans on Wednesday. That’s pretty fast, friends.
So what was on those scans? Oh just things like… And a couple of these…
And then these…
But my favorite shot, of all 27 that came out, is this one. It’s 100% out of focus, but it looks like a memory. Sort of fuzzy, like you know it’s there but you can’t quite make out the details. The soft greens, and the sky through the tree limbs, my daughter’s bike in the lower corner… the shadow of the bridge on the creek bank. I just freaking love this so much. It’s technically garbage being 100% OOF but man. Rules are made to be broken, right?
I can’t wait to get my little prints back! I am going to work on learning the camera’s focus planes, and keep shooting. I am so so so excited to have found this camera. Talk about a great Mother’s Day gift!
It’s Mother’s Day this weekend here in the States, and this week I’ll be sharing some of my favorite #momsinthepicture over on my Facebook page. I was inspired to do so, with help from the good people at Pretty Presets who’ve written up some helpful blog posts to help you get in the picture.
You are worth so much more, than a shaky selfie shot. We get so caught up in how we look; is our “mom muffin” showing? Is our grey hair visible? Can you see the bags under our eyes? These worries make us shy away from being in photos. What message are we giving our kids, when we dog on ourselves over how we look in photos?
Photos immortalize us. They are tangible evidence that WE LIVED. Exist in photos, make sure your children, your children’s children and so on know YOU LIVED.
Check out the helpful bog posts from Pretty Presets Blog HERE! And while you’re at it, why not book a family session for yourself? I’ve got some gorgeous nights available in June AND July that would be perfect for families! Email me, firstname.lastname@example.org for information or to book your session!
Ah, the Fourth of July. Picnics, parties, beer, and brats (that’s bratwurst, not BRATS, well… hopefully not brats 😉 )
And of course, there are fireworks. I’m sure there’s a long and delightful history about why we Americans light up the skies with fireworks and you’re welcome to Google that information in your spare time 😉
I have always been particular about fireworks. By particular, I mean terrified. Then, seven years ago I had two little girls and now Mommy has to put on the brave face. What better way to enjoy those loud, blazing balls of fire raining down on you, but by trying to photograph them! Total transparency here- last year was the first year that I ever tried to photograph them. I’m going to try again this year if this Summer of Unending Rain gives me the chance (Ohio friends know what I’m talking about). You can try, too!
HERE’S WHAT YOU’LL NEED:
1. Remote shutter release like THIS
2. A DLSR and basic understanding of photography
3. A dark place with a clear view of the sky
IT WOULD BE HANDY TO HAVE:
2. wide-ish angle lens that will focus to infinity. Use what you’ve got though, you can make nearly anything work.
I’ll post my photos with my settings to give you an idea about where you can start, but every lighting situation, lens and camera body is different. For what it’s worth, I took these on a Nikon D7000 with a Nikkor 35mm 1.8 lens. I wanted a wide angle lens, and my 35mm is the widest I’ve got.
First things first- get a good spot! Some people like to have cool landmarks in their photos, but I want an unobstructed view. We parked ourselves far across from the field where the fireworks would be shot off. I can fake being cool with fireworks, but only from a safe distance.
Second, turn off your flash. You want the only light your camera sees to be the fireworks themselves. Relatedly, turn your ISO down. Mine was set at 100 for all these photos. Again, we want the only light to be from the fireworks themselves, so we don’t want our cameras to compensate for the dark and make images brighter.
Aperture is next. You’ll want a long focal length. Anywhere from F-11 up will work well. The fireworks will be far away, and we’re going to try to focus to infinity. You’ll want to look up your specific lens if you don’t know how to set it to infinity or even if it does such a thing. A note about my specific 35mm– it is a G lens, meaning “gelded” and does not focus to infinity which made things a little harder. What I did was set my focus to manual and focused on the very farthest thing from me, then crossed my fingers and hoped for the best.
Set your shutter speed to a reeeeeaaaaaalllllly long exposure. There won’t be a ton of light, we’re using a low ISO and a small aperture (the larger the f-stop number, the smaller the aperture opening). Mine was set anywhere from 8 seconds to 13 seconds. Now you see why you’ll want that wireless remote- there is absolutely no way you can have your hands on your camera when that shutter is released or you’ll get instant camera shake and blurry photos. I would fire off my remote shutter release as soon as I saw the firework shot off- when you see that first streak of light FIRE! If you have a tripod- USE IT. The less motion around your camera the better.
Play around with your shutter speed and see how the speed affects the amount of light let in. The longer you leave your shutter open (hello, 13 whopping seconds) the more light will enter your lens. The cool thing is the light is moving! Since our shutter is super slow, it’s not going to stop that light motion and you’ll get those awesome light streaks.
For this challenge, I thought I might use this photo of my other daughter M, blowing dandelions. I love the movement, her cheeks puffed out, the seedlings floating along and the sun through the trees. She was just having a little fun on a walk through our neighborhood and I love it.
Forgive this posting twice to your feed! I wanted to make sure I got this on my blog too! hashtag-clogginyournewsfeed